As the Speakeasy Stage Company mounts its production of Samuel D. Hunter’s "The Whale," a designer works to make a man gain over 500 lbs. and an actor explores how the man got that way.
Z Space stages the wife and husband musical duo Abigail and Shaun Bengsons indie folk-rock opera about love and dying.
Kat Evasco’s big voice arrived at the not-very-big EXIT Theatre on Friday. We’re not saying our ears are ringing, but if we did we might not be able to hear ourselves.
This innovative choreographer’s Joyce season showed her enamored of the use of color, film and some interesting music to get the point across that modern dance can still be interesting, fun, exciting and sexy.
These seasons’ greetings are neither highly belated nor extremely premature, since it’s not sleigh bells we are hearing, but rather the trumpets of several area theaters heralding what shows will carry them through the 2014-15 season.
All three ballets on San Francisco Ballet’s third program were thrilling, each in its way, and in such different ways they make the case for the triple bill.
Acclaimed director Lizette M. Morris has revived the Christopher Durang classic "Baby with the Bathwater," a hysterical parody of "well-meaning" parenting gone awry. In an interview with EDGE, the director reveals the way into her "dark" and "loud" head.